Why am I passionate about this?

I received my Ph.D. and J.D. at Berkeley, and my next book Your Call is Very Important to Us: Advertising and the Corporate Theft of Personhood, is forthcoming from Rowman & Littlefield. My research into literary and legal history made me fascinated with how people project hopes and fears onto the social construct of nature. How does one explain the contradictory ways white men imagined they could transcend painful isolation by merging into a nature coded as non-white and female? These fantasies play out in popular culture, e.g. in Avatar, in which men seek the unobtanium they lack: a nature that was always lost/a retroactively-constructed fantasy, and a cover for what it seemed to oppose—finally the corporation.


I wrote

Not Altogether Human: Pantheism and the Dark Nature of the American Renaissance

By Richard Hardack,

Book cover of Not Altogether Human: Pantheism and the Dark Nature of the American Renaissance

What is my book about?

A surprising number of nineteenth-century American thinkers were pantheists: they believed that God inheres in all things, and that men…

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The books I picked & why

Book cover of Moby-Dick

Richard Hardack Why did I love this book?

Writing to Hawthorne, Melville invoked “the all feeling,” a pantheistic oneness with nature. But Melville always qualified such feelings: “what plays the mischief with the truth is that men will insist upon the universal application of a temporary feeling.” Melville elaborated on his pantheism to his main squeeze—his belief that one could transcend isolated male individuality by merging with a divine nature: “I felt pantheistic then—your heartbeat in my ribs and mine in yours, and both in God’s. The Godhead is broken up like the bread at the Supper, and we are the pieces. Hence this infinite fraternity of feeling.” Moby-Dick’s narrator is overtaken by the same temporary feeling of infinite fraternity, achieved through a pantheistic fusion of bodies in nature. Moby-Dick stages a contest between Ishmael’s desire to merge with nature and Ahab’s attempt to dismember the totem of nature that dismembered him. 

By Herman Melville,

Why should I read it?

22 authors picked Moby-Dick as one of their favorite books, and they share why you should read it.

What is this book about?

Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.


Book cover of Demonology

Richard Hardack Why did I love this book?

Though it focuses on dreams and the occult, the ulterior subject of Emerson’s Demonology is the arcane inversions, doublings, and “unconscious” of transcendentalism. Between many of Emerson’s pronouncements falls this shadow of Demonology, which provides key tenets of his philosophy. Demonology is the cumulative residue of an attempt to explain away that which resists Emerson’s theory that nature is consistent, explicable, rational, and benign. Encapsulating the uncanny, and the inexplicable forces of dreams, animals, and pseudosciences, Demonology consolidates all that is “outside” and negated for Emerson—everything that is, in his terminology, “not me.” Demonology locates the cracks in Emerson’s consciousness, as well as the hobgoblins in his notion of Reason. Emerson’s conception of nature here is notably modern, and often sounds Lacanian—the demonological exception or irrational, that which cannot be fully understood or described, is the necessary anomaly or remainder on which the universality of nature depends.

By Ralph Waldo Emerson,

Why should I read it?

1 author picked Demonology as one of their favorite books, and they share why you should read it.

What is this book about?

'"The name Demonology covers dreams, omens, coincidences, luck, sortilege, magic and other experiences which shun rather than court inquiry, and deserve notice chiefly because every man has usually in a lifetime two or three hints in this kind which are specially impressive to him. They also shed light on our structure."

– Ralph Waldo Emerson

Emerson is one of the most influential thinkers in American history. His Transcendentalism preached a close communion with man and nature and is one of the great life-affirming philosophies of any age. As one of the architects of the transcendentalist movement, Emerson embraced a philosophy…


Book cover of Pilgrim at Tinker Creek

Richard Hardack Why did I love this book?

Throughout her putative nonfiction, the naturalist Annie Dillard locates her voice using the framework of nineteenth-century Emersonian pantheism; she seeks knowledge, inspiration, and even identity from an impersonal nature coded as male. Most strikingly, Pilgrim at Tinker Creek is not the autobiographical nature writing of a contemporary woman, but the trickster fiction, or tinkering, of a postmodern confidence woman impersonating the voice of a fifty-year-old man. Winning a Pulitzer for non-fiction, Dillard anticipates an era of James Freys and falsified memoirs; but Dillard’s “transgressions” are deliberate literary devices, highlighting the way nature is a social construct. She subverts two genres, women’s memoirs, and nature writing, that many readers trust as inherently authentic, by treating them as subject to manipulation. As an emblematic example, the image that opens and closes Pilgrim—of Dillard’s cat that mauls her chest, evoking the violence of feral nature, was appropriated from a graduate student—neither the cat nor the scars are hers, but another impersonation. 

By Annie Dillard,

Why should I read it?

9 authors picked Pilgrim at Tinker Creek as one of their favorite books, and they share why you should read it.

What is this book about?

Pilgrim at Tinker Creek has continued to change people's lives for over thirty years. A passionate and poetic reflection on the mystery of creation with its beauty on the one hand and cruelty on the other, it has become a modern American literary classic in the tradition of Thoreau. Living in solitude in the Blue Ridge Mountains near Roanoke, Virginia, and observing the changing seasons, the flora and fauna, the author reflects on the nature of creation and of the God who set it in motion. Whether the images are cruel or lovely, the language is memorably beautiful and poetic,…


Book cover of Jazz

Richard Hardack Why did I love this book?

American pantheists imagine a self whose body and will are possessed by the force of nature. Transcendentalism, which focuses on nature, and Modernism, which focuses on urban technology, both stage American double-consciousness, and generate a series of ungoverned bodies, of arms and hands with wills of their own. For Morrison, blacks become nature-possessed, City possessed, narrator possessed, and music possessed. In Jazz, Morrison conjoins the natural and the mechanical as a representation of black double-consciousness. It is only music—half Nature, half City—that transcends double-consciousness and restores nature to itself, when, as Morrison tells us with a tip to Charlie, "the winds blew and so did the musicians. From then on the bird was a Pleasure to itself and to them." For Morrison, the Harlem Renaissance occupies the juncture where the transcendental Nature of the American Renaissance is transformed into the transcendental black City of modernism. 

By Toni Morrison,

Why should I read it?

4 authors picked Jazz as one of their favorite books, and they share why you should read it.

What is this book about?

From the acclaimed Nobel Prize winner, a passionate, profound story of love and obsession that brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of Black urban life. With a foreword by the author.

“As rich in themes and poetic images as her Pulitzer Prize–winning Beloved.... Morrison conjures up the hand of slavery on Harlem’s jazz generation. The more you listen, the more you crave to hear.” —Glamour

In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra…


Book cover of Against the Day

Richard Hardack Why did I love this book?

Pynchon’s Against the Day stages a form of pantheism in which everything bears some form of consciousness, which, like nature, has no border. Cyprian considers that “the earth [might be] alive, with a planet-shaped consciousness”; and it is “as if silver were alive, with a soul and a voice.” Pynchon’s characters live in a pantheistic universe in which everything is part of nature and alive—where the wind tries to wake them and the world has a consciousness. Pynchon updates Melville in Mardi, in which, e.g., a character asks, “Think you there is no sensation in being a tree? Think you it is nothing to be a world? [The world of] Mardi is alive to its axis.” In ATD, “the steel webwork was a living organism”; even an “egg yolk [can be] perhaps regarded as a conscious entity.” Consciousness can’t be confined to people: all entities have the potential to become not just characters, but narrators in Pynchon’s world. 

By Thomas Pynchon,

Why should I read it?

1 author picked Against the Day as one of their favorite books, and they share why you should read it.

What is this book about?

"[Pynchon's] funniest and arguably his most accessible novel." -The New York Times Book Review

"Raunchy, funny, digressive, brilliant." -USA Today

"Rich and sweeping, wild and thrilling." -The Boston Globe

The inimitable Thomas Pynchon has done it again. Hailed as "a major work of art" by The Wall Street Journal, his first novel in almost ten years spans the era between the Chicago World's Fair of 1893 and the years just after World War I and moves among locations across the globe (and to a few places not strictly speaking on the map at all). With a phantasmagoria of characters and…


Explore my book 😀

Not Altogether Human: Pantheism and the Dark Nature of the American Renaissance

By Richard Hardack,

Book cover of Not Altogether Human: Pantheism and the Dark Nature of the American Renaissance

What is my book about?

A surprising number of nineteenth-century American thinkers were pantheists: they believed that God inheres in all things, and that men could achieve a sense of belonging they lacked in society by seeking oneness with nature. However, writers such as Emerson, Hawthorne, and Melville conceived of nature as everything "Other"―other than their white male Protestant culture. This male conception of nature became racialized, and the divine became associated with African American and Native American identities, as well as with femininity—the Other or “not-me” of these writers, and a repository of all they lacked. My aim was to reinterpret familiar texts through a lens, that of pantheism, that is unfamiliar to most readers, but helps provide context for how strange but still relevant these writers are.

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Broken Mirror

By Cody Sisco,

Book cover of Broken Mirror

Cody Sisco Author Of Broken Mirror

New book alert!

Why am I passionate about this?

Author

Cody's 3 favorite reads in 2024

What is my book about?

A fractured mind or a global conspiracy? Uncovering the truth can be hell when nobody believes you… and you can’t even trust yourself. 

"A fantastic science fiction thriller with a sincere and important message.”—Kirkus Reviews. 

“A breathtaking, deeply dark alternate-history Earth with complex characters, layered worldbuilding, and twist after twist after twist.”—Julianna Caro, Reedsy Discovery.

Broken Mirror is the first volume in a queer psychological science fiction saga that looks at the stigma of mental illness and the hellish distrust and alienation that goes with it.

Broken Mirror

By Cody Sisco,

What is this book about?

Broken Mirror: the start of a smart, complex, and imaginative cyberpunk alternate history saga. Literary science fiction from a fresh, young voice.

In a skewed mirror universe, a mentally ill young man searches for his grandfather’s killer.

Someone killed Jefferson Eastmore. His grandson Victor is sure of it, but no one believes him.

Diagnosed with mirror resonance syndrome and shunned by Semiautonomous California society, Victor suffers from hyperempathy, blank outs, and sensory overload. Jefferson devoted his life to researching mental illness and curing Broken Mirrors like Victor through genetic engineering, but now that he’s gone, Victor must walk a narrow…


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